Looking ahead to next year, I’m opening the doors wider at Old Time Review. I’m preparing to bring more regular coverage of vintage entertainment to the site, including news of the latest biographies, classic film releases, restored archive TV, stage revivals, radio history, and special cinema screenings of well-loved favourites.
What Is Old Time Review?
Old Time Review launched in 2018 as a home for my passion for vintage entertainment. The original idea was to develop a companion podcast called The Old Time Review Podcast, inspired by the steady audience on the Facebook page. Over time, the focus shifted, becoming a written hub for news, reviews, features, and discussions centred on vintage film, television, music, radio, and the people behind them.
Since launch, the site has grown to more than 1,000 published pieces. It now forms a core part of my daily work. Even so, I’ve often felt that the world of vintage media is far bigger than the slice I currently represent.
The Plan for 2026
The vintage entertainment landscape is packed with material that deserves attention, from forgotten films and overlooked performers to reissues, documentaries, theatre revivals, and new books about the golden age of entertainment. My aim for 2026 is to make Old Time Review a more comprehensive, consistent, and a reliable source for fans of vintage entertainment.
Expect more frequent posts, broader topic coverage, deeper dives, and regular updates on what’s newly restored, reissued, or rediscovered.
How You Can Get Involved
If you’re working on anything connected to vintage media, I’d be glad to hear from you. Most projects have a press release—if you send it over, I’ll cover it whenever it fits the interests of my readers. This includes theatre productions, physical media releases, documentaries, radio specials, books about classic entertainers,actors or musicians, anniversaries, and archive discoveries.
Don’t worry if you don’t have formal press material. A short email or social message works just as well.
Publishers, distributors, promoters, creators, labels, archives, and independent producers are all welcome. If your work connects with classic film, TV, radio, or music—especially pre-1980 material—I’m more than happy to take a look and share it with an audience who truly appreciates it.
